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The Shadow Queen

Shadow Queen cover

In full compliance with FTC Guidelines,
I received this book for free in exchange
for a fair and honest review.
I was in no way compensated for this post
as a reviewer,
and the thoughts are my own.
The Shadow Queen
By
Sandra GullandPublisher:
Release date: April 8, 2014
at Doubleday (US)
and HarperCollins (Canada)ISBN: 978-0385537520
Pages:  336Genre:
Historical fiction

Source: Received
from the author for a
virtual book tour on France Book Tours

Goodreads

This book counts for the following Reading Challenges:

      books-on-france-142014 historical fiction New author challenge

MY THOUGHTS ABOUT THIS BOOK

new eiffel 5

This is the first book I’ve read by Sandra Gulland, and I’m hooked! Indeed, what is not  to love in this portrait of 17th century France?

First, I thought the perspective chosen by the author worked extremely well: to speak about the court and the affairs going on around king Louis XIV and his famous mistress Athénaïs de Montespan, she chose as her narrator someone who starts as basically a nobody.
Claudette has a very poor childhood, wandering through France with the small remnant of their family’s acting troupe. They even sleep in caves. Her world clashes significantly with the one of a little girl she meets. Claudette is fascinated though. After many adventures, she will end up the seamstress and eventually the maid of that girl, who turns out to be Athénaïs. Claudette finds herself swept in a different world, with values not her own. At one dangerous point, she will have to choose which set of values to follow, to the risk of her own life and the life of those she loves. What will she do?

But Claudette is actually someone history remembered. She was Claude de Vin des Œillets, known as Mademoiselle des Œillets (Provence 1637 – Paris, May 1687), daughter of actors Nicolas de Vin and Alix/Louise Faviot.
Even Louise de Maison-Blanche (1676-1718)  (you will have to read the book to know who this important person is) is still known today.

The world of the stage allows the author to expand a lot on the topic. The 17th century was extremely rich in that respect in France, with the famous playwrights Corneille, Racine, and Molière. I enjoyed very much seeing the conflictual relationships developed between these authors and their companies, on the background of the relationship with the Church, especially the fanatic Company of the Blessed Sacrament, an extremist secret society which was then very active in censoring theater.

On the other side, you have an inkling into Black Magic with Athénaïs crazy ceremonies when the King started looking towards younger ladies; and the infamous Catherine Monvoisin, or Montvoisin, known as “La Voisin” (c. 1640 – February 22, 1680:burned at the stake for witchcraft), a French fortune teller, poisoner and an alleged sorceress, one of the chief personages in the affaire des poisons, also present in the novel.

You also see the appalling poverty and misery of the 99% at the time. France was quite dirty and smelly at the time, including at the court of Versailles. The descriptions in the book give  a very good idea about what it must have been to live in those times and conditions. The collapse of Pont Marie in Paris is an amazing passage on that theme in the novel (chapter 12).

Besides, France was far from being united linguistically: many local patois were used, making it difficult for the inhabitants of a city to be understood by the inhabitants of the next city or village.

I enjoyed very much the characters. They are described with real depth, you can really feel you know their personality and their struggles, from the all attentive Claude, to her disabled brother, to the terrible insufferable character of Athénaïs. The King looked sometimes like a puppet under her influence.

It was interesting to see how these people were presented in this novel and in The Hurlyburly’s Husband, by Jean Teulé, recently published and reviewed. Two very different perspectives, one French, one American, on the same court and the Montespans.

Some readers have criticized the title of the book, saying it focuses too much on Claudette, whereas the title refers to Athénaïs. I disagree with this view, and believe the title can actually apply to both women. I’m basing my argument on this passage by Claudette herself:

Sometimes I felt like a queen of shadow realms, forever peering out onto glittering worlds –whether watching my mother performing from the dark wings, or Athénaïs from this darkened room.” p.99

In her own way, each of the two women is a shadow queen. This line allows also to think along the metaphor of court as a stage, so un-real compared to the regular life of all others.

VERDICT: This magnificent well-researched portrait of 17th century France, from the very poor, to the world of theater, to life at court, is a welcomed change in historical fiction. The world can be a stage, and your choice of characters will have consequences on how you find happiness.

WHAT IS IT ABOUT

 

From the author of the beloved Josephine B. Trilogy, comes a spellbinding novel inspired by the true story of a young woman who rises from poverty to become confidante to the most powerful, provocative and dangerous woman in the 17th century French court: the mistress of the charismatic Sun King.

1660, Paris

Claudette’s life is like an ever-revolving stage set.  From an impoverished childhood wandering the French countryside with her family’s acting troupe, Claudette finally witnesses her mother’s astonishing rise to stardom in Parisian theaters. Working with playwrights Corneille, Molière and Racine, Claudette’s life is culturally rich, but like all in the theatrical world at the time, she’s socially scorned.

A series of chance encounters pull Claudette into the alluring orbit of Athénaïs de Montespan, mistress to Louis XIV and reigning “Shadow Queen.” Needing someone to safeguard her secrets, Athénaïs offers to hire Claudette as her personal attendant.

Enticed by the promise of riches and respectability, Claudette leaves the world of the theater only to find that court is very much like a stage, with outward shows of loyalty masking more devious intentions. This parallel is not lost on Athénaïs, who fears political enemies are plotting her ruin as young courtesans angle to take the coveted spot in the king’s bed.

Indeed, Claudette’s “reputable” new position is marked by spying, illicit trysts and titanic power struggles. As Athénaïs, becomes ever more desperate to hold onto the King’s favor, innocent love charms move into the realm of deadly Black Magic, and Claudette is forced to consider a move that will put her own life—and the family she loves so dearly—at risk.

Set against the gilded opulence of a newly-constructed Versailles and the blood-stained fields of the Franco-Dutch war, THE SHADOW QUEEN is a seductive, gripping novel about the lure of wealth, the illusion of power, and the increasingly uneasy relationship between two strong-willed women whose actions could shape the future of France. [provided by the author]

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PRAISE FOR THE SHADOW QUEEN

 

ABOUT THE AUTHOR

 

 

Sandra GullandSandra Gulland is the author of the Josephine B. Trilogy, internationally best-selling novels about Josephine Bonaparte which have been published in over seventeen countries.
Her forth novel, Mistress of the Sun, set in the 17th-century court of the Sun King, was also a bestseller and published internationally.
Her most recent novel is The Shadow Queen, also set in the era of the Sun King, published in April of 2014 by HarperCollins in Canada and Doubleday in the U.S.

See more on her website: www.sandragulland.com

Sign-up for her author newsletter: http://www.sandragulland.com/contacts/

Follow her on Facebook  | Twitter  |  Pinterest  | Goodreads

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